THE IMAGE OF THE “LITTLE MAN” FROM GOGOL TO MODERN RUSSIAN LITERATURE

Authors
  • Jayrona Bekhzodovna Gofurova

    Lecturer, Samarkand Campus of the University of Economics and Pedagogy

    Author

Keywords:
Little man, Russian literature, Gogol, Dostoevsky, contemporary prose, personality, society.
Abstract

The article examines the development of the image of the “little man” in Russian literature—from the classical works of the 19th century to the texts of contemporary authors. Special attention is given to how the interpretation of this type of character changes depending on the historical and cultural context. It is shown that, while preserving its key features, this image acquires new semantic nuances.

References

1.Gogol, N. V. The Overcoat. — Moscow: Khudozhestvennaya Literatura, 1984.

2.Dostoevsky, F. M. Poor Folk. — St. Petersburg: Azbuka, 2001.

3.Lotman, Y. M. The Structure of the Artistic Text. — Moscow: Iskusstvo, 1970.

4.Bakhtin, M. M. Problems of Dostoevsky’s Poetics. — Moscow: Sovetskaya Rossiya, 1972.

5.Pelevin, V. O. Generation “P”. — Moscow: Eksmo, 1999.

6.Yakhina, G. Sh. Zuleikha Opens Her Eyes. — Moscow: AST, 2015. Contemporary Russian Literature: A Textbook / ed. by N. L. Leiderman. — Moscow, 2010.

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Published
2026-04-06
Section
Articles
License
Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

THE IMAGE OF THE “LITTLE MAN” FROM GOGOL TO MODERN RUSSIAN LITERATURE. (2026). Eureka Journal of Business, Economics & Innovation Studies, 2(4), 52-55. http://eurekaoa.com/index.php/6/article/view/735