FOLKLORE TRANSFORMATION IN THE POETICS OF MODERNISM: A COMPARATIVE STUDY OF UZBEK AND WORLD LITERATURE OF THE TWENTIETH CENTURY
- Authors
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Baltabayeva Farangiz Kamaladdin qizi
Urganch Ranch texnologiya universiteti “Jahon tillari” kafedrasi o’qituvchi-stajyori
Author
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- Keywords:
- Modernism, folklore, mythopoetic, archetypes, comparative literature, Uzbek literature
- Abstract
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This article explores the transformation of folklore elements within the poetics of twentieth-century modernism through a comparative analysis of Uzbek and Western literary traditions. Drawing on mythopoetic theory and archetypal criticism, the study examines how folklore motifs, myths, and archetypes are reinterpreted in modernist literature as symbolic and psychological structures rather than as manifestations of oral tradition. The research demonstrates that while Western modernism tends to universalize folklore as an expression of existential crisis and fragmentation, Uzbek modernist literature employs folkloric codes to preserve and reinterpret national identity within a modern aesthetic framework. The findings contribute to comparative literature studies by highlighting folklore as a shared yet culturally differentiated foundation of modernist poetics.
- References
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2. Frye, N. (1957). Anatomy of Criticism. Princeton University Press.
3. Joyce, J. (1922). Ulysses. Oxford University Press.
4. Jung, C. G. (1968). The Archetypes and the Collective Unconscious. Princeton University Press.
5. Kafka, F. (1925). The Trial. Schocken Books.
6. Lotman, Y. (1990). Universe of the Mind. I.B. Tauris.
7. Cho‘lpon. (2000). Collected Works. Tashkent.
8. Fitrat. (1996). Selected Works. Tashkent.
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- Published
- 2026-02-13
- Issue
- Vol. 2 No. 2 (2026)
- Section
- Articles
- License
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This work is licensed under a Creative Commons Attribution 4.0 International License.








