THE COLORISTIC ORGANIZATION OF ARTISTIC SPACE IN A.P. CHEKHOV’S THREE SISTERS

Authors

  • Rambergenova N. K.

    Fourth-year student, Berdakh Karakalpak State University Nukus, Karakalpakstan, Uzbekistan

    Author

  • Ismailova X. N.

    Academic Supervisor, PhD, Associate Professor Department of Russian Language and Literature Faculty of Foreign Languages Berdakh Karakalpak State University Nukus, Karakalpakstan, Uzbekistan

    Author

Keywords:
A.P. Chekhov, Three Sisters, color detail, artistic space, dramaturgy, poetics, Prozorov house, psychologism, stage world, color symbolism.
Abstract

The article examines the role of color detail in the organization of artistic space in A.P. Chekhov’s Three Sisters. The analysis demonstrates that in Chekhov’s dramaturgy color performs not a decorative but a structuring function: it participates in the construction of the stage world, reveals the correlation between memory and the present, emphasizes the changing internal status of the Prozorov house, and helps disclose the process by which the heroines become alienated from a space that had once embodied family unity and cultural measure.

References

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2.Chudakov, A.P. Poetika Chekhova. Moscow: Nauka, 1971.

3.Berdnikov, G.P. Chekhov-dramaturg: traditsii i novatorstvo. Moscow: Iskusstvo, 1981.

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9.Х.Н. Исмаилова. "СТАНОВЛЕНИЕ ВЕЛИКОГО ГЕНИЯ УЗБЕКСКОЙ ЛИТЕРАТУРЫ АЛИШЕРА НАВОИ" Central Asian Research Journal for Interdisciplinary Studies (CARJIS), vol. 1, no. 2, 2021, pp. 76-83.

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Published
2026-03-31
Issue
Vol. 2 No. 3 (2026)
Section
Articles
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This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

THE COLORISTIC ORGANIZATION OF ARTISTIC SPACE IN A.P. CHEKHOV’S THREE SISTERS. (2026). Eureka Journal of Language, Culture & Social Change, 2(3), 157-166. https://eurekaoa.com/index.php/3/article/view/714

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